Launching a Year of Writing With Poetry

Beginnings are important.  Barbara Kingsolver once said, “A beginning is a promise to your reader.”  While she was speaking about books, the same can be said about launching writing workshop.  My first writing unit is a promise to the writers in my class.

The Purpose of the Launch

Each year when I launch writing workshop I aim to build excitement and engagement around writing while helping students:

  • Find topics and ideas that matter
  • Develop strong writing habits, writing process, and routines
  • Think about their purpose and audience
  • Develop details and select a structure to support their meaning
  • Create a caring community of writers

Habits of Writers Chart

Why Poetry?

Poetry is the perfect place to start. Poems are wonderful as a launching point for our writing because students can write many poems in a unit and feel like prolific writers from the start.  They can learn the habits of mind of writers and the routines of writing workshop while crafting meaningful pieces using a balance of different details and thoughtful structure.

A Poetry Launch Unit

Bend 1:  What do writers write about?

Poetry BooksImmersion: We start by reading lots and lots of poems. We let the wondrous words of Eve Merriam and Valerie Worth wash over us. We let the rhythm and humor of Jack Prelutsky and Shel Silverstein bounce around in our brains.  I share the advice to aspiring writers from U.S. Poet Laureate, Ted Kooser, who said, “Read as much as you can. Read fifty or a hundred poems by others for every one you try to write of your own.”  I scatter stacks of poetry anthologies and favorite poems on each table.  Soon the hum of students sharing poems with their friends fills the room.  The energy for writing builds.

Collecting: We spend the rest of the week noticing the types of topics poets write about, spending a day gathering writing ideas for each category after reading poems by published poets about such topics. By the end of the week, students have a list of topics, specific possibilities for each topic, and drafts of several poems. Our favorite poems for collecting ideas this year were:

  • People: “In Daddy’s Arms I Am Tall” by Folami Abiade
  • Places:  “Dear World” by Takayo Noda
  • Things: “Dog” by Valerie Worth and “Garbage Bags” by James Stevenson
  • Experiences: “New Love” by Eve Merriam

Bend 2: What details do writers use?

Planning and Drafting:  We spend this week focusing in on kinds of details that poetry writers (and all writers) use.  Each day we learn about another kind of detail using digital and print mentor texts.

Types of Details Chart

  • Sensory Details:  We read the Black Book of Colors by Menena Cottin, which describes colors through the eyes of a blind person, using vivid sensory details that paint a picture in the reader’s mind.  Students write color poems, inspired by the author’s work.
  • Action: To help students throw out boring actions like, “The cheetah runs,” I show a slow motion video from National Geographic of a cheetah running. I teach my students that while we don’t always have slow motion cameras, we can make movies in our minds of actions and slow them down, describing them step-by-step.  We describe every little movement of the cheetah, cut extra words, and organize the ideas into a poem. Students then use their favorite activities and write a poem about them, slowing down the actions in their minds as they write.

The Cheetah

  • Thoughts: We read Shel Silverstein’s “Whatif” poem and mine our notebooks for important events from our life where thoughts filled our head.  I model with the topic of riding a bike and have the students help me list actions and thoughts they experienced when they rode a bike for the first time.  We move around lines, cut irrelevant words, and craft a poem from that experience.
  • Feelings: We pick a feeling and act it out as a class.  I choose different feelings depending on the class: embarrassed, excited, devastated, etc.  We work as a class to describe all the things our bodies do when we’re feeling that way.  Then we take that list of ideas, move lines around, and craft a poem. 
  • Weaving Details Together:  We create a Room Poem, found in Georgia Heard’s book, Awakening the Heart.  Students create six or eight room poems.  Each room in their poem contains a special kind of detail, such as questions, thoughts, repetition, and sounds.  They use this as a plan for a poem and draft their poem by picking and choosing their favorite parts from each “room.”

Bend 3:  How can I structure my poem to reveal meaning?

Revising: We focus on revising for mood and meaning.  Students reread their poems and ask: What am I really trying to say about this topic?  Do all my lines fit?  We reach for the truest words.

Editing: We study the purpose of line breaks and the choices favorite poets have made.  We try out different line breaks in our poems by cutting up our poems and moving the lines around.  We also look at stanzas, noticing when to use them, and we revise our poems.

Publishing:  We present our finished poems for the world to see. Sometimes, we create a class anthology of our favorite poems. This year, we published our poems online using Kid Blog and invited families and friends to read our work. At the end of the launch, we share our poems aloud and finish our celebration with a Martinelli’s toast.  We thank everyone who helped us–friends, poets, teachers, topics, details, and family.

My class finished our poetry launch unit last week. As we gathered around the carpet to toast each other and our poems, you could feel the anticipation and buzz for the year of writing ahead.  I’m excited for the writing to come and the promise the class holds.

How did you launch writing in your classroom this year?

Jenny Maehara is a 4th grade teacher, literacy teacher leader, and professional developer in the SF Bay Area.  She writes alongside two fourth grade classes at and  You can find her blogging about teaching at Raising Voices and tweeting @jennymae.